Top 5 Brooke Ligertwood Songs About Jesus’ Second Coming

Top 5 Brooke Ligertwood Songs About Jesus’ Second Coming. Brooke Ligertwood, a gifted worship leader and songwriter, has profoundly impacted the global Christian music scene. Her contributions to modern worship are not only beautiful but deeply spiritual, filled with rich theology and heartfelt worship. Many of her songs focus on themes of Christ’s return and the eternal hope that believers have in Jesus’ Second Coming. These songs echo the anticipation and longing for the fulfilment of God’s promises, and they beautifully capture the longing of the Church for Christ’s return in glory.

In this editorial, we’ll explore the top 5 songs by Brooke Ligertwood that poignantly speak about the Second Coming of Jesus Christ. Each track not only stirs the soul but also serves as a reminder of the hope, redemption, and eternal life promised to believers.

1. “King Jesus (Live)” – A Majestic Anthem of the Returning King

From her 2022 live album Seven, “King Jesus (Live)” stands as a towering declaration of Christ’s sovereignty and His imminent return. The song’s third verse paints a vivid picture: “You come with eyes ablazing / And on Your thigh the Name above names / Interceding Son, Our Christ the risen one / The slain and worthy Lamb.” This imagery echoes Revelation 19:16, where John writes, “On his robe and on his thigh he has this name written: King of kings and Lord of lords.” Ligertwood’s lyrics fuse the humility of the crucified Savior with the glory of the returning Conqueror, inviting listeners to worship the One who reigns eternally. Recorded live with a palpable energy, this song feels like a foretaste of the heavenly chorus that will greet Jesus when He splits the skies.

2. “I Belong to Jesus (Dylan’s Song) (Live)” – A Personal Stake in the Promise

Also from Seven, “I Belong to Jesus (Dylan’s Song)” is a tender yet resolute affirmation of identity in Christ, with subtle undertones of His return. The bridge declares, “Everything the Father gives / Everything that Jesus paid for / Is my inheritance / All because I belong to Him.” This reflects the hope of 1 Thessalonians 4:17, “After that, we who are still alive and are left will be caught up together with them in the clouds to meet the Lord in the air. And so we will be with the Lord forever.” Written for her daughter, Dylan, the song carries a personal weight, as if Ligertwood is staking her family’s future on the certainty of Christ’s return. Its gentle melody and soaring chorus make it a comforting reminder that our belonging to Jesus secures us for that glorious day.

3. “Soon” – Longing for the Day of Redemption

“Soon” is a hauntingly beautiful ballad co-written by Ligertwood that aches with anticipation for Christ’s return. The opening lines set the tone: “Soon and very soon / My King is coming / Robed in righteousness and crowned with love.” Drawing inspiration from Revelation 22:12, “Look, I am coming soon! My reward is with me, and I will give to each person according to what they have done,” this song captures the tension of living in the “already but not yet” of God’s kingdom. Ligertwood’s voice, soft yet piercing, carries a yearning that resonates with every believer who has ever whispered, “Come, Lord Jesus” (Revelation 22:20). It’s a prayer set to music, a plea for the day when tears are wiped away and all is made new.

4. “A Thousand Hallelujahs”

While not explicitly about the Second Coming, “A Thousand Hallelujahs” captures the worship that will erupt when Christ returns. The song’s opening line, “Who else would rocks cry out to worship / Whose glory taught the stars to shine?” sets a cosmic stage, hinting at the day when all creation will bow before Him (Philippians 2:10-11: “At the name of Jesus every knee should bow, in heaven and on earth and under the earth”). Ligertwood’s soaring vocals and the song’s anthemic build invite listeners to join the eternal chorus that will greet the King. It’s a foretaste of the heavenly celebration that awaits, making it a fitting ode to His return.

5. “Honey in the Rock”

Co-written and performed with Brandon Lake, “Honey in the Rock” blends gritty faith with eschatological promise. The song draws from Psalm 81:16—“But you would be fed with the finest of wheat; with honey from the rock I would satisfy you”—and transforms it into a modern hymn of provision and hope. Lines like “There’s honey in the rock / Purpose in Your plan / Power in the blood / Healing in Your hands” point to Christ’s sustaining grace, culminating in the day of His return when all things are made new. The upbeat tempo and soulful delivery make it a rallying cry for believers to stand firm, knowing the Bridegroom’s arrival is near.

Brooke Ligertwood’s gift lies in her ability to marry theological depth with emotional resonance. These five songs—spanning her Hillsong tenure and solo career—offer a spectrum of perspectives on Jesus’ Second Coming: the triumphant return of the King, the personal assurance of belonging, the aching longing for redemption, the prophetic vision of glory, and the joyful worship that bridges now and then. Together, they form a soundtrack for the believer’s journey through a world groaning for its Savior (Romans 8:22-23).

As we stand today, with the future unfolding before us, these songs remind us to lift our eyes to the eastern sky, as the old hymn says, and to live with readiness. Ligertwood’s music doesn’t just entertain—it beckons us to align our hearts with the promise of Christ’s return, a day when, as she sings in “King Jesus,” the “slain and worthy Lamb” will reign forever. In a culture often distracted by the temporal, her work is a clarion call to fix our gaze on the eternal. So, turn up the volume, let the lyrics sink in, and join the chorus of those who await the King. Maranatha—come, Lord Jesus!